12 March, 2009

The New Regime, "Coup"

Confession time: I didn't actually have high-speed internet until last June, so I was a bit late in getting into the whole downloading music thing. Once I got into, though, I never got out: Probably half my iTunes library consists of songs that I've downloaded from the internet, and the last time I actually bought a physical CD was when NIN's The Slip came out in May of last year.

I was reminded last night, during a trip to the mall, why it is that I download instead of buying physical CDs: A, there's a nearly-infinite selection of music available for download via retailers like Amazon, and B, downloading an album is usually about $3-$5 cheaper than buying the same album from a brick-and-mortar store. FYE, the store in which I was browsing, had a very limited selection, and the average price of a CD was $15.99. Ouch! It's no wonder that the big labels are hurting!

And wow, that introduction turned out to be a lot longer than I had originally intended. You're probably looking at the title of this right now and going, WTF? Is this a review or another long-winded rant about the decline of the music industry, which has already been done to death by smarter people than you? No, really, this is supposed to be a review. That long-ass intro was supposed to be a short paragraph saying how my preference for downloading music rather than buying it has led me to discover artists who offer digital releases of their albums but not neccessarily physical copies of them, such as New Regime (I hate Myspace, but this is the only website for the group), Ilan Rubin's project, who just released his debut album, Coup, via iTunes and Amazon.

Rubin, a 20-year-old drummer from LA who has worked with Lostprophets and is currently the touring drummer for Nine Inch Nails (you just knew this would circle back there somehow, didn't you?), wrote all the songs and recorded all the vocals and instrumentation for Coup himself, during Lostprophets' hiatus-- no small feat, considering that the album features a dizzying array of different styles and influences.

Clearly informed by artists like Queen and the Beatles, Coup is a diverse, ambitious effort. Opening track "The Collapse" begins with a piano-and-drum stomp that quickly leads into a "Bohemian Rhapsody"-style lamentation on "what you've become", while a few tracks later, "Haunt My Mind" employs some nifty electronics and a spare piano line in its intro. "The Credit 'We' Deserve" is an airy, acoustic-guitar-driven jaunt that features Rubin harmonizing with himself (yeah!) and a well-crafted, Beatles-esque melody.

Sometimes Rubin gets a little too ambitious-- too many tracks follow the same formula of "quiet intro, then explode into rock god bombast, fuck yeah!"-- and his singing is a little dodgy, especially when he's trying to channel Muse frontman Matt Bellamy (who, if you ask me, usually vacillates between channeling Freddie Mercury and Thom Yorke, so I don't know what that means), but these problems are easy to overlook. A more noticeable flaw in Coup is its overwrought lyrics, but after all, Rubin is only 20 FREAKIN' YEARS OLD, so "melodramatic" is the name of his game.

Overall, however, Coup is a solid effort from a talented up-and-comer which anyone who enjoys Queen and/or Muse should check out.

Essential tracks: "All These Changes", "The Credit 'We' Deserve", "Haunt My Mind"

Rating: LLLL (out of a possible five Ls)

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